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Carlo Belloli was an Italian Futurist poet, a forerunner ahead of concrete poetry and the de facto “father” of visual poetry. He was critically important to the development of the avant-garde in Italian Art. This print was conceived for a book project comprising original printed works by various artists and curated by Belloli for Editions Panderma.
The work was not included in the final publication, titled ‘La Lune en Rodage II’, published in 1965. Bridget Riley titled this print decades later, when she came across the undistributed edition in her studio, to reference the intended project.
A rare chance to acquire a magical, original print from Riley’s sixties-era output.
