In the Studio: Painter and his canvas with a seated model. Aquatint and dry point etching on copper on Auvergne Richard de Bas wove paper. One of 15 artist’s proofs aside from the edition of 50. Edges toned from previous mount, also toned around the inscription and a little browning in the image. Presented in a handmade white gold leaf frame with conservation acrylic glazing.
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