1994
Edition Size: 50
Sheet Size: 41 x 27 inches
Signed
Condition: Pristine
Lithograph with vegetable dye water transfer on Arches Infinity paper.
Hand signed, numbered and dated in pencil from the edition of 50.
Archivally framed in a contemporary maple moulding, recessed and floating on oyster linen matting. Framed size measures: 49 x 34 3/4 inches.
Certificate of Authenticity included.
Price on Application
Robert Rauschenberg, an American born in 1925, started producing painterly prints in the early 1960s that contained pictures he cut out of magazines and newspapers. Nearly ten years prior, he had created pieces he dubbed “Combines,” which are fusions of painting and sculpture that embrace the noise of daily life and contrast the solitary canvases of abstract expressionism. The ordinary was also introduced in Rauschenberg’s prints in a variety of ways, such as the water ring left by a drinking glass, the embossment from a coin, or the traced contour of a cane. By reintroducing representation into the avant-garde, the artist revived a vibrant visual language. “What he invented above all was…a graphic surface that let the world in again,” wrote art historian Leo Steinberg.
