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Spring Rain At Tsuchiyama,tsuchiyama Haru No Ame by Utagawa Hiroshige

Spring Rain At Tsuchiyama,tsuchiyama Haru No Ame by Utagawa Hiroshige

Stanza del Borgo (IFPDA)



Edition Size: n/a, early lifetime impression

Sheet Size: 24,5 x 36,4 cm


Condition: Pristine

Details — Click to read

Fine early impression, very good colour and condition, faint centrefold and minor paper flaws. One of the best designs of this series.
The print shows a daimyo’s procession crossing the Tamura River in Suzuka Pass, east of Tsuchiyama. This area is famous for its green tea and known for the treacherous pass in winter.
For two other impressions of this print see the Collections at the British Museum and at the Museum of Fine Arts in Boston, accession number 11.23105.
The Edward Burr Van Vleck Collections of Japanese prints, Elvehjem Museum of Art, University of Wisconsin-Madison 1990, pag. 36, n. 50.

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The Artist

Utagawa Hiroshige

Born in Edo in 1797, Hiroshige whilst still a teenager, was allowed to work in the studio of Utagawa Toyohiro, an artist with a preference for classical and landscape subjects. He studied also Nanga painting under the artist Ooka Umpo. In the 1812 he adopted the name Hiroshige. The first prints to be published under this name were images of beautiful women, a few surimono and landscapes in small format. In 1831 Hiroshige designed a successful series of Sights of Edo. In 1832 he accompanied the annual procession from Edo to the emperor in Kyoto along the Tokaido. During the journey, he sketched the scenes which he later put into the fifty-five prints which made up the celebrated series of views of the fifty-three post stations on the route. The series was revolutionary, the scenes had a naturalness and sense of immediacy that provoked instant popular appeal. This established Hiroshige as the painter of Tokaido scenes and, subsequently, he produced some thirty series on the same theme. Many highly successful landscape series would follow such as the Sixty-nine Stages on the Kiso Highway, the One Hundred Famous Views of Edo, the Thirty six Views of Mount Fuji. In his declining years, in addition to landscapes, he created an unique style in depicting birds and flowers.

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