Abstraction Lyrique was born in Paris after the war. At that time, the artistic life in Paris, which had been devastated by the Occupation and Collaboration, resumed with numerous artists exhibited again as soon as the Liberation of Paris in mid-1944.Read More
Some art critics also looked at this movement as an attempt to restore the image of artistic Paris, which had held the rank of capital of the arts until the war. Lyrical abstraction also represented a competition between the School of Paris and the new New York School of Abstract Expressionism painting represented above all since 1946 by Jackson Pollock, then Willem de Kooning or Mark Rothko, which were also promoted by the American authorities from the early 1950s.
Lyrical abstraction was opposed not only to the Cubist and Surrealist movements that preceded it, but also to geometric abstraction (or "cold abstraction"). Lyrical abstraction was, in some ways, the first to apply the lessons of Kandinsky, considered one of the fathers of abstraction. For the artists, lyrical abstraction represented an opening to personal expression.
Finally, in the late 1960s, many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as 'lyrical abstraction'.