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Penny Passengers by James Abbott McNeill Whistler

Penny Passengers by James Abbott McNeill Whistler

Harris Schrank Fine Prints (IFPDA)

Etching

1860

Edition Size: rare, only 6 known

Image Size: 3 1/4 x 8 1/8 inches

Reference: Glasgow 71

Signed

Condition: Excellent

Details — Click to read

James Whistler (1834-1903), Penny Passengers, Limehouse, 1860. Etching and drypoint, signed in pencil with a butterfly and inscribed imp, printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded, 3 1/4 x 8 1/8 inches (8.2 x 20.7 cm)

Provenance: Otto Gerstenberg, stamp verso [Lugt 2785]

Reference: Kennedy 67; Glasgow 71

The buildings on the far bank of the Thames and the ship and their masts moored there show the distinctive draughtsmanship of the period 1859–1860 when Whistler worked in Limehouse and made an etching there which was published in the Thames Set. Penny Passengers, Limehouse is very rare, with only five impressions known, all but our impression in public collections. It shows in outline a group of passengers waiting for the ferry to cross the river. Whistler inscribed the impression from the Samuel P. Avery collection Thames – Limehouse (now in the New York Public Library).

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The Artist

James Abbott McNeill Whistler

Perhaps best known for a painting of his mother titled Whistler’s Mother, James Abbott McNeill Whistler was born in Massachusetts but spent much of his time in Europe. Whistler is known as the father of Tonalism which is an artistic style marked by dark hues such as brown or blue and also emphasized mood and shadow.

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