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  • Maint corps des chambres by Pierre Alechinsky

Maint corps des chambres by Pierre Alechinsky

Epicentrum Art Gallery

Etching

1980

Edition Size: EA XVII/XX

Sheet Size: 25 x 33.2 cm

Signed

Condition: Pristine

Details — Click to read


Portfolio with 12 etchings from 1980.

The edition EA XVII/XX.

Dimensions of work: 25 x 33.2 cm.

Hand signed.

Publisher: Argile, Paris.

This copy of Maint corps des chambres bears a warm dedication to de Cardaillac, inscribed:

“for Simon / who saves the little boats / lost in the Indian ink / his friend / Pierre / 4 December 1982.”

Alfred Manessier, Christian Dotremont, and Pierre Alechinsky had exhibited together at the Galerie de France in 1978, where Simon de Cardaillac first entered the circle of these artists. He became particularly close to Alechinsky, attending several of his openings, including the exhibition at FIAC on the Maeght Lelong stand held on the occasion of the artist’s birthday. Their friendship endured for years, with Alechinsky sending him cards and personal notes.

Original illustrated book, 13th volume of the Argile collection.
Composed in Baskerville type and printed on December 15, 1980 by Robert Blanchet (typography) and Atelier Moret (engravings).

This copy: Exemplar EA XVII, one of 30 artist’s proofs (EA), signed at the colophon by Pierre Alechinsky and the author Jean Reynaud.

Contents:
– 7 signed etchings (five engravings printed on large margins in variant colors, plus two *gravures refusées*, all signed and numbered).
– 5 unsigned engravings (the standard suite of five engravings within the book, except the signed frontispiece). .

The work is in Excellent condition.

Price on Application

The Artist

Pierre Alechinsky

Pierre Alechinsky prints are associated with Abstract Expressionist, Lyrical Abstraction and the abstract style of art known as Tachisme. Using a range of media in his art, he is an engraver, graphic artist, painter and film maker. He learned engraving and gained other skills in Brussels and Paris. First he studied printmaking, illustration and photography at the National School of Decorative Arts in La Cambre. He became specialised in Etchings, Aquatint and watercolour on rice paper. He then continued his art education at Atelier 17 in Paris, where he was a student of the printmaker Stanley William Hayter. In 1949 the art group Cobra was formed. Its purpose was to break away accepted standards of western art and to make art more about the human condition.

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