Collage in Prints
A guest curated show by Josh Pazda, director of Hiram Butler Gallery (IFPDA).
“Some of the first prints I worked with as a dealer were Robert Rauschenberg’s Shirtboards, 1991. Shirtboards were an extraordinarily complex technical feat, in which 28 of Rauschenberg’s collages from 1952 were recreated as facsimiles, at a larger scale. All of the irregularities of the unique collages were carefully recreated: glue stains, pencil marks, printed materials….etc. Working with these prints redefined my understanding of printmaking entirely.
I am interested in how collage elements push the boundaries of what we consider prints to be. Sometimes a collage element asserts each impression’s uniqueness. Collage can also be painstakingly precise and maintain continuity from impression to impression, throughout an edition. I have chosen a variety of works that incorporate collage in ways that are subtle, classic, experimental, and masterfully technical.”
Robert Rauschenberg | Shirtboards, Morocco, Italy ’52 | Hiram Butler Gallery (IFPDA)
Robert Rauschenberg | Scent | Gemini G.E.L. at Joni Moisant Weyl (IFPDA)
Cy Twombly | Natural History Part I: No. VI | Susan Sheehan Gallery (IFPDA)
Ann Hamilton | Ciliary | Gemini G.E.L. at Joni Moisant Weyl (IFPDA)
William Kentridge | The Full Stop Swallows the Sentence | The White House Gallery
Kiki Smith | Hail Full of Grace, the Lord is with Thee | Barbara Krakow Gallery (IFPDA)
Richard Tuttle | Naked IX | Hiram Butler Gallery (IFPDA)
Louise Nevelson | Solitude | Gregg Shienbaum Fine Art
Robert Motherwell | Harvest, with Two White Stripes, from the Summer Light Series | Leslie Sacks Fine Art (IFPDA)