Where galleries select their favourite prints and explain why.
Persona
Diana Copperwhite
Stoney Road Press
One of the most powerful works which Stoney Road Press has published in recent years, ‘Persona’ seems to glow from within and radiates an aura of strength and calm in a space.
Olympics. Milano Cortina. 2026
Clifford Singer
iMuseum Vegas
Clifford Singer has had an interest in the Olympics since 1972 after Mark Spinks won. Being a competitive swimmer, Singer has been trying to develop an Olympic ring design. This year he has released Olympics Milano Cortina 2026 through his publisher iMuseum Vegas.
Portrait of a Little Spanish Girl
Theodore Roussel
Sylvan Cole Gallery
A wonderful print from the very beginning of Roussel’s career as a printmaker. The young Spanish girl is apparently begging, and the date, scratched lightly into the upper left part of the plate (December 24, 1887) makes it even sadder. This is the only known signed proof of the first state.
Le Déjeuner sur l’herbe: les trois femmes noires avec jardin d’eau
Mickalene Thomas
JRP|Editions
Le Déjeuner sur l’herbe: les trois femmes noires avec jardin d’eau by Mickalene Thomas is a lavish print, enriched with rhinestones and gold leaf, that reimagines art history and celebrates Black femininity in quintessential Mickalene Thomas style.
Usuyuki
Jasper Johns
Michael Lisi/Contemporary Art
Jasper Johns’ ‘Usuyuki’ prints, featuring his classic crosshatch motif, are much-beloved here in our gallery, and the soft rainbow gradient of this one is perfect for June (Pride month here in the USA)!
Blobosistic
Kenny Scharf
ADLAR Studio
We LOVE Kenny’s Blobosistic! Why? Because he (Kenny and Blobosistic) made us work so hard to get it “right”! After months of testing and review, Blobosistic flashed his winning grin at Kenny… and inspired a Thumbs Up!
The Triumph of Death
Georg Pencz
Jan Johnson Old Master Modern Prints
Scenes in which Death is personified never fail to fascinate. His glee and ruthlessness here while mowing down both kings and commoners give us some insight into how narrow the margin of safety appeared in the 16th Century, with the additional fear of Hellfire always looming.
Untitled
Kai Althoff
Provinz
The work is the first and so far only lithograph by Kai Althoff, one of the most important artists of his generation. It is not only typical of his enigmatic, dreamlike figures and landscapes—it also demonstrates his astonishing mastery as a draftsman in the medium of lithography.
Art Gallery, from Cold Light Series
James Rosenquist
Graphicstudio
In 1971, James Rosenquist and his family sustained serious injuries in a car accident in Tampa, Florida. During his family’s recovery, Rosenquist was invited by then-director Don Saff to work at Graphicstudio at the University of South Florida. This period marked a significant phase in Rosenquist’s artistic development, during which his experimental printmaking culminated in a loosely interconnected body of work known as the Cold Light Series. Of the eleven pieces comprising the series, eight engage thematically with environmental concerns and the passage of time. One notable work, Art Gallery, stands out for its incisive critique of the New York gallery circuit, offering a sardonic reflection on the art world’s institutional structures.
Flexible and Stainless
Sylvia Plimack Mangold
Krakow Witkin Gallery
A shining example for Sylvia’s early works that bring together her interest in representation and abstraction.
Riot: “A riot is the language of the unheard”
Russell Young
Addicted Art Gallery
Russell Young’s “Riot: A Riot is the Language of the Unheard” isn’t just a piece of art – it’s a confrontation and a conversation starter. Drawing from the raw visual language of protest and unrest, the artwork captures a singular moment of resistance and power, pressing it with Russell’s signature diamond dust to create something that’s both violent and glamorous, gritty yet luminous.
The title, borrowed from Martin Luther King Jr.’s powerful 1967 speech “The Other America,” anchors the work in a deeper historical and moral context. King’s words – “A riot is the language of the unheard” – echo through the image, challenging viewers to look beyond the chaos and understand the roots of rage. It’s a reminder that justice delayed is justice denied, and that the cries of the unheard have always shaped history.
More than 50 years later, the message feels painfully relevant. As voices around the world continue to rise in protest against inequality, brutality, and broken systems, the artwork serves as a visual mirror – reflecting both how far we’ve come and how far we still have to go.
At Addicted Art Gallery, we’re drawn to this work not only for its striking visual impact, but for its urgent message. In Russell Young’s hands, rebellion becomes art – and art becomes a demand for truth.
Untitled
Donald Judd
Susan Sheehan Gallery
Untitled is a rare, cadmium red parallelogram published by Judd and printed by his father, Roy C Judd. A woodworker by trade, Judd’s father carved and printed many of his son’s graphic designs and fabricated a number of the artist’s early relief paintings and three-dimensional objects. His mastery of technique allowed Judd to focus on developing a new way of thinking – one that centered the division of already existing space rather than imposing an image on top of it.
Elliptic Ecliptic A, B, C, D (Set of four)
James Turrell
Eyestorm
The series ‘Elliptic Ecliptic’ from 1999 – and part of the artist’s ‘Skyspace’ installations – shows James Turrell’s continous commitment as a pioneer of the Light Art movement, exploring light and space, and how the perception of it changes in different contexts. Confidently into his eighties, Turrell has no intention of slowing down. His latest ‘Skyspace’ will be stretching over 25 square miles of desert landscape in the north western part of Saudi Arabia.
Rolling Head
Andrea Carlson
Highpoint Editions
I absolutely love this print by Andrea Carlson for it’s densely layered references and a composition that immediately pulls you into the roiling waters of Lake Superior. It’s really a feast for the eyes while forcing the viewer to examine the effects of misogyny’s prevalence in everything from the history of art and Native American narratives.
NY Cat’s Eye II Nebula
Jaremi Picz
Epicentrum Art Gallery
I’ve chosen this print as a tribute to my father – Jaremi Picz, who founded the gallery and later passed it on to me as he advanced his career. He introduced me to the world of art, and this piece reflects both his legacy and the deep personal connection I have to our shared journey.
