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  • Positioning (rare resin sculpture) by Suanjaya Kencut

Positioning (rare resin sculpture) by Suanjaya Kencut

GallArt.com

Mixed Media

2022

Edition Size: 100

Dimensions: 12.5 x 5.9 x 8.1 inches

Unsigned

Condition: Excellent

Details — Click to read

Limited edition resin sculpture. Stamped edition 54/100 on the underside. Sculpture size: 12.5 x 5.9 x 8.1 inches. Includes original wooden box and Certificate of Authenticity.

Co-produced by Qianchen Culture Media Co., Ltd., Chuzhou, China and League OTO to celebrate the artist’s first solo exhibition in the United States Unlimited Frames held from 2 September – 1 October 2022 at Lorin Gallery, Los Angeles.

Artwork is in excellent condition.

About the Artist: I Putu Adi Suanjaya, professionally known as Suanjaya Kencut (b. 1994, Badung, Bali), is an Indonesian visual artist celebrated for his vibrant paintings, sculptures, and installations. A graduate of the Indonesian Institute of the Arts, Yogyakarta (2012), Kencut merges his Balinese roots—steeped in traditional carving, ceremonial rituals, and ornate textiles—with a contemporary minimalist sensibility.

His best-known signature: expressionless dolls with button eyes, set against flat, bold, color-driven environments. These figures invite viewers to infuse their own interpretations, acting as mirrors for shared human emotions. Through rhythmic patterns and vivid hues, Kencut reimagines Balinese cultural motifs into a universal meditation on connection and empathy.

His work has been showcased in solo exhibitions across the globe, including I Trip Therefore I Am (Los Angeles, 2025), Pop Fractal (Jakarta, 2024), Beyond The Wall (Seoul, 2024), and Re-Charge (Dubai, 2024). He has also contributed to esteemed group exhibitions in Madrid, Dubai, Berlin, Hong Kong, and Shanghai.

$1,500.00

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The Artist

Suanjaya Kencut

I Putu Adi Suanjaya, professionally known as Suanjaya Kencut (b. 1994, Badung, Bali), is an Indonesian visual artist celebrated for his vibrant paintings, sculptures, and installations. A graduate of the Indonesian Institute of the Arts, Yogyakarta (2012), Kencut merges his Balinese roots—steeped in traditional carving, ceremonial rituals, and ornate textiles—with a contemporary minimalist sensibility.

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