A blog about prints

The Hands That Carve Also Ink: Why Sculptors Fall for Printmaking

The Butcher of Canvas Turns to the Press: Why Francis Bacon Made Prints

Ink for the Many: 250 Years of American Printmaking

Where Vision Meets Press: The Colour Conversation

The Man Who Broke Printmaking: How Frank Stella Turned Paper Into Sculpture

The Stone That Learned to Write: How Lithography Was Born by Accident

The Japanese Got It Right: What Ukiyo-e Can Teach the Western Art World About Respecting Prints

Camille Pissarro: How Restless Beginnings Forged a Printmaking Revolution

Bon à Tirer, The Secret Standard: Why the Rarest Thing in Art Is Not a Painting

John Baldessari Did Not Make Prints. He Made Arguments.

Pablo Picasso Prints: The Best Kept Secret Of The Art World

The Scratch Beneath the Surface: What Etchings Give Artists That Paint Never Can

How Much Is a Banksy Print Worth?

James McNeill Whistler: The Prints That Poverty Built

Why Do Artists Make Deliperate Nistakes?

The Workshop as Laboratory: How the Greatest Artist-Printer Collaborations Changed Art History

Louise Bourgeois: Psychological and Autobiographical Prints

Intaglio Printing Pulling Ink From Below the Surface

The Ink That Screamed: Why Edvard Munch Became a Printmaker

The Monotype: Where Accident Becomes Genius

The Trembling Line: What Made Willem de Kooning Prints Unlike Anything Else

Rise of the Print as Art Object: The Cabinet, the Copper Plate and Humanist Collecting Culture

The Printer as Archivist: Why the Memory of Workshop Matters as Much as the Art

What Made Pablo Picasso Laugh: The Comic Soul Behind the Cubist Mask

Richard Diebenkorn and the Print World: A Revolution in Ink, Light, and Geometry

A Print Is Not a Purchase, It Is a Position

The Scarcity Illusion: Why We Systematically Undervalue the Multiple

What Really Happens to Unsold Work

Sol LeWitt and the Print: Why He Changed Everything

The Art the World Forgot to Look At

Fine Art Prints vs. Posters

Something Lost in Transfer: Rauschenberg, Degradation, and the Art of the Imperfect Print

First Art Purchase Advice

One Tool, Six Centuries: The Burin

Melbourne Art Print Fair 2026

Portland Fine Print Fair 2026

Ink Miami Art Fair

The Woodcuts of Wassily Kandinsky

WIAP 2025 | Bianca Raffaella

From Light to Truth: The Transition from Impressionism to Naturalism in Printmaking

Art Print Publishing

Johannes Gutenberg & The Printing Press

10 Common Mistakes When Buying and Collecting Fine Prints

The History of Papermaking For Fine Prints

How to care for your prints

Comprehensive Guide to Insuring Your Print Collection

Limited Edition Print Size Explained

What is a lithograph?