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In recent work I ask the viewer to re-assemble fragments of information by summoning memories of moving through a dynamic landscape. Overlays and repetitions of images signal the compression of time into simultaneous space, past, current, and anticipated. Working at the interface between printmaking and painting, I collaborate with the unexpected, surprise and chance, thus ceding a measure of control but always responding to results. The search has become as engaging as the destination so I never print an image the same way twice, uniting concept and process in the repetitions, variations, and accumulations that are part of improvisatory printmaking.
