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  • Untitled, from: New York Collection for Stockholm by Cy Twombly

Untitled, from: New York Collection for Stockholm

Cy Twombly

Artwork details

Title
Untitled, from: New York Collection for Stockholm
Description

This original lithograph in colours is hand signed by the artist with his initials in black ink “C T.”, at the lower right corner, verso. It is dated ’73 [1973] next to the artist’s initials.
It is also hand numbered in black ink from the edition of 300, at the lower left corner, verso.
This lithograph and screenprint was printed by Styria Studio, New York and was published by Experiments in Art and Technology, Inc., New York in 1973.
The paper bears the artist’s and printer’s copyright stamp at the lower left corner, verso.

Note: This subject is one of thirty included in the portfolio New York Collection for Stockholm. The other contributors were Lee Bontecou, Hans Haacke, Alex Hay, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Morris, Louise Nevelson, Kenneth Noland, Claes Oldenburg, Robert Breer, Nam June Paik, Robert Rauschenberg, Larry Rivers, James Rosenquist, James Segal, Richard Serra, Keith Sonnier, Richard Stankiewicz, Andy Warhol, John Chamberlain, Robert Whitman, Walter De Maria, Jim Dine, Mark di Suvero, Öyvind Fahlström, Dan Flavin and Red Grooms.

The complete portfolio can be found in the collection of the Museum of Modern Art (MoMA), New York.

Literature: Bastian, H. (2017). Cy Twombly: The Printed Graphic Work: Catalogue Raisonné. Munich: Schirmer/Mosel.
Reference: Bastian 38

Condition: Excellent condition. Remnants of hinging tape along the upper sheet edge.

Date
1973
Edition
300
Signature
Signed
Catalogue Raisonne
Bastian 38
Sheet
30.3 x 22.7 cm
Status
Available
Price
$7,500.00
The Artist

Cy Twombly

Recipient of the Golden Lion in the Venice Biennale of 2001, Cy Twombly (born Edwin Parker and then renamed ‘Cy’ by his father, an athletics teacher and avid fan of Cyclone Young, a celebrated baseball pitcher of the late nineteenth century). Although he can be included in Abstract Expressionism, his legacy remains rather singular and unclassifiable. When he was 14, he was trained in drawing by Pierre Dura and along with his spiritual father, Nicholas Poussin, they reinvented classical antiquity. In his early years, he was influenced by Kurt Schwitters’ Dadaism and Chaim Soutine’s Expressionism, while he also followed the work of Jackson Pollock and Mark Rothko. His close friendship with Robert Rauschenberg defined his artistic career.

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