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Laksamana Ryo, Dreamer (framed hand signed lithograph)

Laksamana Ryo

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Artwork details

Artist
Laksamana Ryo
Title
Laksamana Ryo, Dreamer (framed hand signed lithograph)
Description

19 color lithograph on BFK Rives 270g paper with hand-cut edges. Hand signed and dated lower right by Laksamana Ryo (RYOL). Hand numbered 39/100 lower left. Artwork size: 35.8 x 28.3 inches. Frame size: 37.75 x 30.5 inches.

Certificate of authenticity included. Artwork in excellent condition.

About the artist: Laksamana Ryo (b. 1993, Banyuwangi, East Java, Indonesia) is a visual artist based in Yogyakarta. He studied at the prestigious Indonesian Institute of the Arts in Yogyakarta. Ryo’s work is heavily influenced by his childhood experiences — particularly Sunday-morning cartoons, manga, and popular culture. He uses bright colors, large expressive eyes in his figures, and an illustrative style that often references both anime and Western cartoons. Although his work appears whimsical and playful at first glance, Ryo often addresses contemporary themes beneath the surface — critiques of patriarchal society, questions of identity and gender fluidity, the tension between local vs global culture, and observations of industrial and labor life. He has exhibited extensively in Indonesia and internationally, participating in solo exhibitions such as “Ocean Eyes” (2020) and “Polah” (2024), among others.

Date
2022
Medium
Colour Lithograph
Edition
100
Signature
Signed
Sheet
35.8 x 28.3 inches
Status
Available
Price
$975.00
The Artist

Laksamana Ryo

Laksamana Ryo (b. 1993, Banyuwangi, East Java, Indonesia) is a visual artist based in Yogyakarta. He studied at the prestigious Indonesian Institute of the Arts in Yogyakarta. Ryo’s work is heavily influenced by his childhood experiences — particularly Sunday-morning cartoons, manga, and popular culture. He uses bright colors, large expressive eyes in his figures, and an illustrative style that often references both anime and Western cartoons. Although his work appears whimsical and playful at first glance, Ryo often addresses contemporary themes beneath the surface — critiques of patriarchal society, questions of identity and gender fluidity, the tension between local vs global culture, and observations of industrial and labor life. He has exhibited extensively in Indonesia and internationally, participating in solo exhibitions such as “Ocean Eyes” (2020) and “Polah” (2024), among others.

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