Home > Leya Evelyn > Robin Rosenberg Fine Art > Sebastian No. 4
Sebastian No. 4 by Leya Evelyn

Sebastian No. 4 by Leya Evelyn

Robin Rosenberg Fine Art

Collage

1993

Sheet Size: 30 x 30 inches

Signed

Condition: Good

Details — Click to read
Signed and dated by artist on the back.
Mixed media with collage on paper.
Contact gallery for pricing.

Washington, D.C. and educated at both Brown and Yale Universities in the United States, Leya Evelyn moved to Nova Scotia in the early 1980’s after having lived and worked for some time in New York City. Evelyn’s self-admitted intention of “making statements” with her work has given us paintings and prints that, while self-referentially recounting the very history of their making, declare themselves to be meaningful well beyond any attempt on our part to pigeonhole them. Evelyn’s art actively resists the construction of tidy little categorizations while simultaneously eploiting them. It’s a risky balancing act that has made for some powerful art.
Leya Evelyn has worked as an abstract painter since her early twenties. Her career in the arts has extended up and down the East Coast into Canada.
At Yale, she studied under Josef Albers, concentrating on painting and colour. After twenty-four years in New York City, she moved to Nova Scotia. She now resides near Halifax and exhibits extensively locally as well as in galleries across Canada, the U.S. and Europe.

Retrieved from the artist’s website.

Price on Application

The Artist

Leya Evelyn

Leya Evelyn’s abstract paintings are about explorations, possibilities, imaginings and openings. The work considers the painting process, the marks, the color and the impact of these to be image itself, without literal references. Washington, D.C. and educated at both Brown and Yale Universities in the United States, Leya Evelyn moved to Nova Scotia in the early 1980’s after having lived and worked for some time in New York City. Evelyn’s self-admitted intention of “making statements” with her work has given us paintings and prints that, while self-referentially recounting the very history of their making, declare themselves to be meaningful well beyond any attempt on our part to pigeonhole them. Evelyn’s art actively resists the construction of tidy little categorizations while simultaneously exploiting them. It’s a risky balancing act that has made for some powerful art.

Read more

More prints at Robin Rosenberg Fine Art

View Gallery

Related Artists