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Riding around on a cooking spoon (Six Fairy Tales from the Brothers Grimm)

David Hockney

Artwork details

Title
Riding around on a cooking spoon (Six Fairy Tales from the Brothers Grimm)
Description

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the famous story ‘Rumpelstilzchen’. Hockney invented this composition in which Rumpelstiltskin is dancing round the fire on a cooking spoon singing ‘Rumpelstiltskin is my name'. The antagonist of the Grimm Brothers' eponymous fairy tale, is pictured here at the moment of his escape from the queen. After helping a desperate maiden spin straw into gold in exchange for a promise, he has returned to claim that now-queen's first-born child. Her only hope is to guess his name, and when she speaks it aloud, he flies into a rage and escapes on a soup ladle. Hockney emphasizes the creature's diminutive stature by placing him on an outsized spoon against a menacing, inky background. There's a sense of a set or stage, of puppetry or of silhouettes, that is enhanced by how the artist has defined the cooking fire in shades of grey that look like layered cutouts.

Riding around on a cooking spoon (Six Fairy Tales from the Brothers Grimm) 1969
Etching, aquatint, and drypoint on W S Hodgkinson paper
Plate 6.5 x 9.9 in / 16.4 x 25.2 cm
Paper 17.75 x 16 in / 45.09 x 40.64 cm
Unique publisher’s copy aside from the edition of 400 books and 100 portfolios

Small discoloration on left of sheet, light crease along lower edge lefthand side.

Date
1969
Edition
Unique publisher’s copy aside from the edition of 400 books and 100 portfolios
Signature
Unsigned
Image
6.5 x 9.9 inches
Sheet
17.75 x 16 inches
Status
Available
Price
$950.00
The Artist

David Hockney

Born in Bradford England on the 9th July 1937 David Hockney was interested in art from a very early age, and was an admirer of Fragonard, Picasso and Matisse. The fifth of six children his parents encouraged his artistic experimentation. He went to the Bradford College of Art 1953-57. To fulfil his national service, he worked in hospitals as he was a conscientious objector to war. Then in 1959 he was accepted into the Royal College of Art, Graduate school in London.

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