Artwork details

Artist

Title

Rimbaud the Coffee Exporter

Description

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flurry of lines and crosshatching. Rimbaud’s etched features, scruffy stubble and intense, faraway stare paint the picture of a worldly libertine. Dine has scrawled “RIMBAUD” on the poet’s forehead, suggesting the significance of a man known by a single name.

Dine was a frequent collaborator at Petersburg Press, where he created the majority of his prints in the 1970s. Dine was drawn to experimentation, moving easily between printmaking methods, and often printing multiple variations from the same plate as he worked progressively on the image. It was the founder of Petersburg Press, Paul Cornwall-Jones, who suggested this technique to Dine, advising that he work back into etching plates, effacing some areas, adding marks in other areas, and cutting plates down. This technique would become a core practice for Dine, informing his practice to this day. Dine produced a series of seven etchings of Rimbaud from the same plate used in this work which is fifth in the series – progressively reducing the plate size and adding etched lines with each new image, culminating in drilling out the eyes to raise the white paper in relief.

Born 1854 in the rural town of Charleville, France, Arthur Rimbaud ran away to Paris as a teenager, where he befriended the renowned poet Paul Verlaine. Verlaine published Rimbaud’s poetry, and the two entered into a tumultuous relationship, culminating in Verlaine’s imprisonment for shooting Rimbaud in the hand. In 1873, Rimbaud abandoned his literary aspirations for an itinerant lifestyle, enlisting as a soldier in the Dutch Colonial Army only to abscond from Java to Cyprus, finding work as a translator and as a stone quarry supervisor. With intermittent trips home to his parent’s farm in Charleville, Rimbaud then took up residence in Yemen, where he worked at a coffee sorting house. He rose quickly in the ranks, and his talent for languages and shrewd merchant instincts led to a profitable contract exporting beans from Ethiopia. By Rimbaud’s untimely passing at 37, he knew more about coffee than perhaps any European alive.

Date

1973

Medium

Etching

Edition

Signature

Signed

Catalogue Raisonne

Jim Dine: Prints 1970-1977. Williams College. Museum of Art, 1976, no. 156 illustrated.

Image

5.5 x 3.5 inches

Sheet

26 x 20 inches

Price

Price on request

Jim Dine: Printmaker, Painter and Poet of the Everyday Object

Jim Dine (born 1935, Cincinnati, Ohio) is one of the most prolific and technically adventurous printmakers of the past sixty years. He first emerged in New York’s late-1950s art scene alongside the Happenings and Pop art movements, but he has always resisted the Pop label. His work is intensely personal, autobiographical and hand-made. Jim Dine prints put that sensibility on paper: expressive, gestural and rooted in the physical act of drawing and cutting.