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TOM WESSELMANN,Hedy (Sandpaper) 1985/1990 by Tom Wesselmann

TOM WESSELMANN,Hedy (Sandpaper) 1985/1990 by Tom Wesselmann

Lynart Store

Enamel on Cut-out Steel

1985

Edition Size: 25

Dimensions: 10 × 38 cm

Signed

Condition: Pristine

Details — Click to read

Hedy (Sandpaper) 1985/1990

Artist: Tom Wesselmann (1931–2004)
Medium: Enamel on cut-out steel (sculpture)
Dimensions: 10 × 38 cm (3.9 × 15 in.)
Edition: 25
Signature: Incised signature, titled, dated, and numbered on verso; also titled and dated in ink
Condition: Excellent
Certificate: Gallery Certificate of Authenticity included

Description: 

Tom Wesselmann’s Hedy (Sandpaper) (1985/1990) exemplifies the artist’s late sculptural practice, translating his iconic Pop imagery into dynamic, three-dimensional form. Executed in enamel on cut-out steel, this edition of 25 reinterprets the female nude through simplified contour and vivid color, maintaining Wesselmann’s signature blend of sensuality and minimalism.

The work belongs to a series of small-format enamel sculptures that revisit his celebrated Great American Nudes and Seascape compositions, rendered with industrial precision yet imbued with the warmth of hand-finished detail. The juxtaposition of steel’s rigidity and the smooth enamel surface heightens the tension between material and subject — a hallmark of Wesselmann’s exploration of beauty, form, and eroticism within Pop Art.

Each piece is hand-signed, dated, titled, and numbered on the verso, with incised signature and annotation in ink. Hedy (Sandpaper) stands as a refined and rare example of Wesselmann’s sculptural mastery, merging his pictorial language with bold material experimentation.

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€18,000.00

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The Artist

Tom Wesselmann

United States-born Tom Wesslemann was a Pop Art originator. Along with Andy Warhol and Roy Lichtenstein, he was part of a group of New York artists in the 1960s that shocked and shook up not only the institutions of the art establishment, but also the cultural of idea of what constitutes art. His subjects were mundane objects and the imagery of advertising, including still life, figures and landscapes. He used a graphic design-style way of painting on large canvases, making use of strong strokes and colours, creating something seemingly simple yet full of meaning.

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