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TOM WESSELMANN,Seascape (Tit) by Tom Wesselmann

TOM WESSELMANN,Seascape (Tit) by Tom Wesselmann

Lynart Store

Screenprint

1967

Edition Size: 100

Sheet Size: 70.8 × 59.7 cm

Signed

Condition: Pristine

Details — Click to read

Seascape (Tit) 1967

Artist: Tom Wesselmann (1931–2004)
Medium: Screenprint on Museum Board
Dimensions: Image: 45.7 × 44.5 cm (18 × 17½ in.)
Sheet: 70.8 × 59.7 cm (27⅞ × 23½ in.)
Edition: 100
Signature: Hand-signed lower right and numbered
Condition: Very good overall
Certificate: Gallery Certificate of Authenticity included

Description: 

Tom Wesselmann’s Seascape (Tit) (1967) stands as a bold and emblematic example of his redefinition of Pop Art toward the erotic and the sensual. In this work, the artist isolates a close-up fragment of the female nude — a breast set against a stylized seascape — rendered in his signature flat, vibrant colors and clean contours. The composition emphasizes form and surface over realism, transforming a traditional subject into a modern icon of desire.

By focusing on a single erogenous detail, Wesselmann shifts Pop Art’s gaze from consumer goods to the idealized body, simultaneously celebrating and critiquing the culture of sexualized imagery. Despite the provocative subject, Wesselmann himself denied any intent of social critique, maintaining that his works were purely visual explorations of beauty, color, and form.

Printed in a limited edition of 100, Seascape (Tit) is signed and numbered by the artist and comes with a gallery certificate of authenticity. It remains a quintessential work in the artist’s oeuvre, bridging classical sensuality with the bold immediacy of 1960s Pop Art.

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€4,500.00

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The Artist

Tom Wesselmann

United States-born Tom Wesslemann was a Pop Art originator. Along with Andy Warhol and Roy Lichtenstein, he was part of a group of New York artists in the 1960s that shocked and shook up not only the institutions of the art establishment, but also the cultural of idea of what constitutes art. His subjects were mundane objects and the imagery of advertising, including still life, figures and landscapes. He used a graphic design-style way of painting on large canvases, making use of strong strokes and colours, creating something seemingly simple yet full of meaning.

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