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Penny regards the complex, lengthy process of stencil production as important as the final piece and his methodology greatly informs his work. Like most street-based artists, Penny uses satire to initiate social commentary, intricately bound to larger aesthetic principles of the most current movements within contemporary art. Other themes include the juxtaposition of the industrial with the organic, playing with scale, the subtle subversion of reality and the creation of narrative within the inanimate. All of these notions translate equally from the street to the canvas and back again, while further considerations are given to the context and environment.


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