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The Triumph Of Mordecai by Harmensz van Rijn Rembrandt

The Triumph Of Mordecai

Harmensz van Rijn Rembrandt

Artwork details

Title
The Triumph Of Mordecai
Description

Original etching and drypoint printed in black ink on thick laid paper bearing a “Double Headed Eagle” watermark (Ash/Fletcher 15)

A superb 17th century/lifetime impression of Bartsch and Biorklund/Barnard’s only state, Usticke’s first state of two, New Hollstein’s third state of four, showing touches of burr on the horse and central figures, printed after the upper part of the left hind leg of the horse was shaded over, but prior to the addition of aquatinting to the plate to deepen the shadows in later impressions. 

Catalog: Bartsch 40; Hind 172; Biorklund-Barnard 41-1; Usticke 40 i/ii; New Hollstein 185 iii/iv.

In excellent condition, printed on a sheet with 3/16 inch margins outside the platemark on all four sides.

Provenance: ex-collection Charles Scarisbrick (British, 1801-1860), High Sherriff, Scarisbrick Hall, and Wrightington, Lancaster, whose collection contained numerous Rembrandt etchings and Dürer engravings, with his collection stamp (Lugt 522) in black ink verso..

Date
1641
Medium
Etching
Edition
**
Signature
Unsigned
Image
6 3/4 x 8 3/8 cm
Sheet
7 1/4 x 8 13/16 cm
Price
Price on request
The Artist

Harmensz van Rijn Rembrandt

Approximately 300 etchings and drypoints by Rembrandt were produced between 1626 and 1665. His work as a printmaker paralleled his career as a painter; he rarely dealt with the same subjects in both mediums, and he rarely made prints of his paintings. Above all, he was a brilliant experimenter and inventor in this field, frequently using standard materials in unexpected ways. His influence on printmaking is still visible in contemporary etchings.

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