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Original lithograph printed in black ink on chine appliqué (China paper mounted on Rives wove paper).
A superb impression of the definitive state, from the edition of 100; numbered in pencil also lower right. One of the studies Matisse created in connection with his work on the theme of ‘The Virgin – Face’ for the Chapelle de Vence in 1950-51.
Hand-signed in pencil on the mount lower right, H. Matisse.