Home > John Piper > Petersburg Press > Suite of five prints: Gordon House “A Still Life at Millbank”, R. B. Kitaj “Chris&...
  • Suite of five prints: Gordon House “A Still Life at Millbank”, R. B. Kitaj “Chris&... by John Piper

Suite of five prints: Gordon House “A Still Life at Millbank”, R. B. Kitaj “Chris&... by John Piper

Petersburg Press

Screenprint

1980

Edition Size: Unknown

Sheet Size: 24 x 30 inches

Signed

Condition: Excellent

Details — Click to read

Suite of five prints including Gordon House “A Still Life at Millbank”, R. B. Kitaj “Chris”, John Piper “Eye and Camera, Red Blue and Yellow”, Joe Tilson “Delphic Oracle”, Gerd Winner “Autumn in New York”

These five screen prints, sold together, are from a portfolio produced to commemorate the Kelpra Studio Exhibition at the Tate Gallery, London, July-August 1980. Published by Kelpra Editions and the Tate Gallery. Printed at Kelpra Studio London 1980 .

Gordon House “A Still Life at Millbank” 1980
Screenprint in nine colours
Printed on Velin Arches 300gsm
Paper size: 23.6×29.5 inches / 60×75 cm
Image size: 18.1×24.4 inches / 46×62 cm

R. B. Kitaj “Chris” 1980
Screenprint in eight colours
Paper size: 29.5×23.6 inches / 75×60 cm
Image size: 23×17.7 inches / 58.5×45 cm

John Piper “Eye and Camera, Red Blue and Yellow” 1980
Screenprint in fourteen colours
Printed on Velin Arches 300gsm
Paper size: 23.6×29.5 inches / 60×75 cm
Image size: 15.7×23.6 inches / 40×60 cm

Joe Tilson “Delphic Oracle” 1980
Screenprint in twenty-seven colours
Printed on Zaan all rag board, collages on Cuve, Velin Arches, and Acid-free tissue.
Paper size: 28.7×25 inches / 73×63.5 cm
Image size: 28.7×25 inches / 73×63.5 cm

Gerd Winner “Autumn in New York” 1980
Screenprint in nine colours
Printed on Velin Arches 300gsm
Paper size: 29.5×23.6 inches / 75×60 cm
Image size: 29.5×23.6 inches / 75×60 cm

$2,250.00

The Artist

John Piper

English painter, set designer, printmaker and window designer John Egerton Christmas Piper was born in Surrey in 1903. Though his family wished him to become a lawyer, he rebelled and first studied at the Richmond School of Art. He later moved onto the Royal College of Art, London, though he did not actually graduate. Though he initially experimented with abstract art, he soon turned towards more natural themes. His main subjects were landscapes and religious buildings, such as churches. He created a range of work, including book jackets, photography, tapestries, fabrics and ceramics.

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