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Ingrid Bergman With Hat 315 (Trial Proof) by Andy Warhol transforms the legendary actress into a radiant Pop icon. The composition shows Bergman wearing a wide-brimmed magenta hat that cuts diagonally across a pale lavender background. Her golden hair catches light along the edges, while deep shadows model her face in soft violet and gray. The lips burn crimson, and a band of sage green textures her coat. Subtle hand-drawn lines trace her outline, merging cinematic elegance with graphic immediacy. The contrast between cool pastels and bold red accents gives the portrait a poised yet electric atmosphere. It evoke both the glamour of Hollywood and Warhol’s sharp eye for color balance.
Ingrid Bergman With Hat 315 (Trial Proof) belongs to Warhol’s 1983
Ingrid Bergman portfolio, a series of three screenprints portraying the Academy Award-winning actress. The source images include stills from her films Casablanca (With Hat) and The Bells of St. Mary’s (The Nun), as well as a publicity photograph titled Herself. This rare trial proof was pulled during the printing process to test color variation and ink density. As a result, it differs from the regular edition through its cooler palette and softer tonal layering,
revealing Warhol’s experimentation before final production.
Ingrid Bergman With Hat (Trial Proof) in Context
Following the success of his Campbell’s Soup series, Warhol turned his attention to the icons of stage and screen, immortalizing figures such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. In this vein, his portraits of Ingrid Bergman marked a continuation of his dialogue with celebrity and cinema.
Commissioned by Galerie Börjeson in Malmö, Sweden, the series was conceived as a celebration of Bergman’s international career. Moreover, Warhol’s choice of images links the work directly to her performances, turning motion into stillness and character into icon. Consequently, this trial proof bridges Warhol’s fascination with process and his admiration for star power.
The slight shifts in hue and registration capture the spontaneity of his studio method. The emotional charge of the image is intensified by the upward tilt of Bergman’s face and the diagonal sweep of her hat. These shapes and colors convey resilience, serenity, and the aura of classic Hollywood. Ultimately, Warhol’s portrait transforms cinematic memory into Pop myth, preserving Bergman’s elegance in layers of color that feel both experimental and timeless.
