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  • Space Cadet (framed hand signed screen print) by Dface

Space Cadet (framed hand signed screen print) by Dface

GallArt.com

Screenprint

2025

Edition Size: 150

Image Size: 29.6 x 23.7 inches

Sheet Size: 29.6 x 23.7 inches

Signed

Condition: Excellent

Details — Click to read

25 color screen print on lambeth 370 gsm paper. Hand signed lower left by D*Face. Hand numbered 74/150 lower right. Artwork size: 29.6 x 23.7 inches. Frame size: 33 x 27 inches.

Certificate of Authenticity is included. Artwork is in excellent condition. All reasonable offers will be considered.

About the Artist: DFace (British, born 1978) is a contemporary street artist best known for his distinctive graffiti, stickers, and posters placed in various cities around the world. Featuring recurring imagery of celebrities and punk iconography, DFace’s oeuvre is characterized by his bright, graphic aesthetic and focus on consumerism and the ways in which it shapes everyday life. His diverse range of influences include skateboarding culture, early New York City subway graffiti, Pop Art, and Shepard Fairey’s Obey campaign. Born Dean Stockton in 1978 in London, England, he worked in advertising and for publications like Thrasher magazine before embarking on his own artistic career. A reported friend of the famed anonymous street artist Bansky, D*Face’s identity remained a mystery until 2008 when he revealed his name to the public. “I don’t find that it’s necessarily relevant that you know who I am regarding my work,” he once explained. “The work speaks for itself, and if it doesn’t speak for itself, then I like people to reinterpret it for their own views.” The artist lives and works in London, England.

$2,212.00

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The Artist

Dface

D*Face is a London-based sculptor and stencil artist, who uses the city as his own personal gallery sticking, pasting and drawing on any wall or space available. Known for his subversive images, which utilize a family of dysfunctional characters whose roles are to shock as well as entertain, his work challenges orthodox thinking. D*Face engages with the public context in which he works; his characters are sophisticated vehicles through which the viewer is forced to question their own relationship with their surroundings. D*Face demands that the viewer not only sees but that they look at their environment.

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