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This lithograph was interpreted by Charles Sorlier, the Mourlot studio’s master printer, who had worked closely with Raoul Dufy. The image is based on a 1930 painting now held at the Musée des Beaux Arts in Nice.
Printed in 1954, this version is an avant la lettre state, produced for an exhibition at the Galerie des Ponchettes in Nice, which is part of the city’s network of museums devoted to contemporary art and is often associated with Dufy’s work.