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DONALD JUDD, Untitled by Donald Judd

DONALD JUDD, Untitled by Donald Judd

Lynart Store

Woodcut

1961

Edition Size: 25

Image Size: 30.5 × 34.0 cm

Sheet Size: 49.8 × 59.7 cm

Signed

Condition: Pristine

Details — Click to read

Untitled

Artist: Donald Judd (1928–1994)
Medium: Woodcut in black and cadmium red oil paint on the reverse, on Frostlite vellum paper
Dimensions: Image: 30.5 × 34.0 cm (12 × 13⅜ in.) | Sheet: 49.8 × 59.7 cm (19⅝ × 23½ in.)
Edition: 25
Signature: Signed in pencil and numbered
Publisher: Edition der Galerie Heiner Friedrich, Munich
Condition: In good condition; framed
Literature: Schellmann 25

Description

Created between 1961 and 1978, Untitled by Donald Judd reflects the artist’s minimalist vocabulary translated into print form — a rare synthesis of material precision and conceptual clarity. The woodcut’s striking combination of black and cadmium red manifests Judd’s exploration of spatial balance and pure form through color and geometry.

Printed on Frostlite vellum, the composition exudes luminosity and tension, revealing how Judd employed even the medium of printmaking to investigate volume, repetition, and surface interaction. Each plane of color acts as both a physical and perceptual boundary, maintaining the artist’s dedication to objecthood and exacting craftsmanship. Published by Edition der Galerie Heiner Friedrich, this edition of 25 exemplifies Judd’s disciplined approach to editioned works, where every technical decision reinforces the principles that define his sculptural practice. Untitled thus bridges the disciplines of painting, print, and object — reaffirming Judd’s enduring influence on minimalist and conceptual art.

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€35,000.00

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The Artist

Donald Judd

Donald Judd began exploring artistic expression through painting in the late 1940s in New York City. His first exhibition opened in 1957 and was a collection of abstract paintings. He had an unusual route into art, as he had been a philosophy student at college. His attention was turned towards creative pursuits as a result of his Masters’ degree in the History of Art.

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