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  • Untitled, xi by Ser Serpas

Untitled, xi by Ser Serpas

JRP|Editions

Monotype

2025

Edition Size: 46

Sheet Size: 116.84 x 91.44 cm

Signed

Condition: Pristine

Details — Click to read

Monotype on pre-gessoed canvas.

Signed and dated on the front by the artist, numbered in Roman numerals on the back.

Co-edition with Kunsthalle Basel.

Ser Serpas (b. 1995) produced this series of unique monotypes in rapid succession utilizing vibrant colors in an expressionistic and gestural manner to create an image of a single figure looking down at the ground. The inspiration behind the figure is based on an image the artist generated on the AI platform, Craiyon LLC. The characteristics of the figure are obscured, particularly in the face—its grimacing expression at once intelligible while also not constant and shifting in space as if seen in a dream or hallucination.

Serpas is known for her earth-toned paintings, multimedia installations, and sculptures made from found objects. The artist lives and works in New York, Paris, and Tbilisi.

$6,000.00

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The Artist

Ser Serpas

Ser Serpas (b. 1995, United States) Ser Serpas’ multifaceted practice embraces transience and indeterminacy. Through sculpture, poetry, performance and painting—Serpas emphasizes a productive precariousness, teasing meaning out of illegibility and creating sites to give thought to the momentary. Her installations demonstrate the simultaneously mesmerizing and fleeting notion of value, finding a productivity in objects that had otherwise seemed exhausted. Whether assembled from discarded detritus found on the street or from fabric gifted to Serpas by her friends, her reworked artworks and installations exist in and out of public—built from private moments and reassembled for an audience of strangers. At times these sculptures, poems and paintings seem on the brink of collapse or disintegration. Serpas constructively blurs the tension between stability and entropy. Likewise, she pits lucidness and incoherence against one another, frequently enclosing them in the same frame. Her works can be seen as monuments to impulse that are fixed just long enough to ingrain themselves in our memories.

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