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  • Jasper Johns over 34,000,000 sold (monotype) by Rene Ricard

Jasper Johns over 34,000,000 sold (monotype) by Rene Ricard

Petersburg Press

Monotype

1990

Edition Size: One of three monotypes printed in blue

Image Size: 31 x 39 inches

Sheet Size: 36 x 47 inches

Signed

Condition: Good

Details — Click to read

In the center of a royal blue field of color, Ricard has scrawled “Jasper Johns over 34,000,000 sold”.  Ricard’s work brims with cultural references: with this statement he positions the famed artist as a best-selling product. This monotype is a beautiful impression: vibrant blue with metallic drops of ink. It was printed on non-archival studio paper and the tone of the paper has naturally aged. The artist tore down the paper, and there is variegation along the edges of the sheet. Ricard enjoyed painting on unusual surfaces and working on the fly so this is characteristic of his creative method. The print is signed with his initials RR and is one of only three printed in blue.

As a published poet and art critic, Ricard often blurred the lines between poetry and visual art. Ricard’s confessional hand-painted and hand-written poetry is almost always accompanied by the artist’s outsized signature, integrated into the composition, or placed at its center. Here, Ricard has signed his name with silver pen, instead of the pencil typical of prints.

Rene Ricard
Jasper Johns, 1990
monotype on paper
36 x 47 in. / 91 x 119 cm
Signed by the artist with initials lower right of plate in blue pen.

This item has been sold.

The Artist

Rene Ricard

In the 1980s, he wrote a series of influential essays for Artforum magazine. Having achieved stature in the art world by successfully launching the career of painter Julian Schnabel, Ricard helped bring Jean-Michel Basquiat to fame. In December 1981 he published the first major article on Basquiat, entitled “The Radiant Child,” in Artforum. Ricard also contributed art essays to numerous gallery and exhibition catalogs. Ricard was immortalized by Basquiat in the drawing entitled Rene Ricard / Axe, representing the tension that existed between the two. Andy Warhol called him “the George Sanders of the Lower East Side, the Rex Reed of the art world.”

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