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Storage, Charité, Berlin 2015 by Thomas Struth

Storage, Charité, Berlin 2015 by Thomas Struth

Lougher Contemporary



Edition Size: 80

Sheet Size: 31.9x40.5 cm


Condition: Excellent

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Thomas Struth takes mesmerizing photographs that express his belief in photography as “a tool of scientific origin for psychological exploration. After his early black-and-white series of deadpan views of cityscapes eerily devoid of any signs of urban life, in 1989, Struth began work on his best-known cycle, the “Museum Photographs.” In these large-format, color-saturated photographs, Struth captures individuals and crowds looking at famous works of Western art in the world’s most popular museums. While looking at the “Museum Photographs,” viewers are confronted with the act of looking itself and the social complexities of seeing and being seen. Struth is now one of Germany’s most widely exhibited and collected artists.

Signed, titled, dated, and numbered from the edition of 80 in pencil verso (unframed). Please contact the gallery with any questions.

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The Artist

Thomas Struth

Thomas Struth is a photographer from Germany. He initially made his reputation with many black and white photographs of Düsseldorf and New York. Alongside these, he made numerous family portraits, and photographed the exhibits in various museums. He prefers the medium of black and white photography for most of his work, but originally, he was a painter. He studied at the Düsseldorf academy from 1973 until 1980. It was here he met Gerhard Richter and Peter Kleemann, and in 1976 he switched to photography as a student of Bernd and Hiller Becher.

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