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Somagabel (Soma fork) by Carsten Höller

Somagabel (Soma fork) by Carsten Höller

Texte zur Kunst

Multiple Sculpture

2011

Edition Size: 100 + 20 A.P.

Dimensions: 2 × 2 × 20 cm

Reference: Texte zur Kunst #81 March 2011

Signed

Condition: Pristine

Details — Click to read

For “Texte zur Kunst” Carsten Höller conceived “Somagabel (Soma Fork)”, a fork-like object which is related to his last solo show at Hamburger Bahnhof in Berlin entitled “Soma”. For this occasion, the artist created a double-blind study by dividing the historical hall of the museum in two symmetrical parts. A footbridge ran through the space while compounds to the left and the right housed several reindeer. Caged Mice, flies and canaries functioned as further protagonists of the setting. The initial point for this tableau vivant lay in the quest of the origin of Soma, a mythical drink of Indogermanic peoples which is said to have an ecstatic effect due to a substance found in fly agarics. The reindeer in Höller’s installation were fed with these mushrooms they also eat in the wild. The question if their behaviour was actually affected by their psychoactive food had to be answered by the visitors of the show themselves although the scene looked like a laboratory. The shafts of the forks of Höller’s edition for “Texte zur Kunst” consist of antlers which fell off after the mating season of the animals and therefore differ with each piece. As the hallucinogen could be stored in the horns of the deer the owner of the work can participate in the experiment as well as the research of the consciousness-expanding promise of Soma.

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The Artist

Carsten Höller

Carsten Höller applies his training as a scientist to his work as an artist, concentrating particularly on the nature of human relationships. Major installations include Flying Machine (1996), an interactive work in which viewers are strapped into a harness and hoisted through the air; Test Site (2006), a series of giant slides installed in Tate Modern’s Turbine Hall; Amusement Park (2006), a large installation at MASS MoCA of full-sized carnival midway rides operating at dramatically slowed speeds; The Double Club (2008–09), a work designed to create a dialogue between Congolese and Western culture in the form of a London bar, restaurant, and nightclub; and Upside-Down Goggles (2009–11), an ongoing participatory experiment with vision distortion through goggles. Höller’s Revolving Hotel Room, an installation that became a fully operational hotel room by night, was featured in the exhibition theanyspacewhatever at the Guggenheim Museum, New York (2008–09).

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